selected reviews / articles / interviews
Review: “Gaia in Exhaustion: Clarissa Tossin Ponders How We Walk Down a Path of No Return,” Luiz Armando Bagolin, New City Brazil (November 10, 2025)
Review: “2024 Whitney Biennial: Even Better Than The Real Thing,” Raúl Zamudio, Art Nexus no. 122 (June 2024)
Review: “Whitney Biennial 2024,” Andrew V. Uroskie, ARTFORUM (Summer 2024)
“Intrecci cosmici decoloniali,” Claudia Mignone, Universi (Summer 2024)
“Eight Resourceful Artists on Reducing, Reusing, and Recycling,” Emily Watlington and Andy Battaglia, Art in America (Spring 2024)
“Frieze New York Brings a Rich, Cross-Cultural Mix,” Holland Cotter, The New York Times (May 2, 2024)
“During Frieze Week, Artists Examine the Effects of Technology,” Keridwen Cornelius, The New York Times (April 25, 2024)
“Dozens of Artists, 3 Critics: Who’s Afraid of the Whitney Biennial 2024?” Jason Farago, Travis Diehl, and Martha Schwendener, The New York Times (March 13, 2024)
“Can an Amazon envelope help us map out what a decolonized future could look like?” Clarissa Tossin, Los Angeles Times (May 17, 2023)
Review: Clarissa Tossin: Falling from Earth,” Susanna Phillips Newbury, CAA Reviews (April 3, 2023)
“Permission to Return Home: Clarissa Tossin Interviewed by Mariana Fernández,” Mariana Fernández, BOMB Magazine (September 6, 2022)
Review: “Clarissa Tossin: Falling from Earth,” Frances DeVuono, Third Text (Summer 2022)
Review: “Clarissa Tossin at Commonwealth and Council,” Reuben Merringer, CARLA (May 2022)
“From Latinx Artists to New Takes on Surrealism, Curator Marcela Guerrero’s Favorite Works at Frieze New York,” Gabriella Angeleti, The Art Newspaper (May 19, 2022)
Review: “Clarissa Tossin at Commonwealth and Council, Los Angeles” Yxta Maya Murray, ARTFORUM (April 2022)
“In Houston, Artist Clarissa Tossin Ponders the Colonial Implications of the 21st-Century Space Race,” Betsy Huete, ArtNews (March 18, 2022)
“Latinx Artists Use Sci-Fi to Imagine Postcolonial Futures,” Tia Glista, Paper Magazine (May 17, 2019)
“Clarissa Tossin é destaque na Art Basel Hong Kong,” Jamyle Rkain, ARTE!Brasileiros (April 2, 2019)
“Clarissa Tossin at 18th Street Arts Center,” Jennifer Remenchik, CARLA (March 13, 2019)
Review: “Clarissa Tossin at Galeria Luisa Strina, São Paulo” Camila Belchior, ARTFORUM (February 2019)
“Latinx Artists Are Highlighted for the First Time in a Group Show at the Whitney,” Ananda Cohen-Aponte, Hyperallergic, (August 28, 2018)
Review: “Clarissa Tossin: Meeting the Waters” at the Blanton,” Melany Jean, The Austin Chronicle (April 13, 2018)
Review: “Nearly a century later, a video artist follows Frank Lloyd Wright’s Mayan footsteps,” Sharon Mizota, Los Angeles Times, (October 15, 2017)
“How Frank Lloyd Wright’s Take on Mayan Temples Shaped Hollywood,” Janelle Zara, Artsy (September 27, 2017)
“The Modernist Gaze and Interchangeable Labor: Clarissa Tossin at Samuel Freeman,” Rachel Yezbick, Infinite Mile Detroit (September 2015)