We see in stereo: each eye registers something different, and the information contained in each is then stitched together in our brains, resulting in a three-dimensional visualization—something more complex, and greater in meaning, than when read as two separate images.

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Stereoscopic Vision, the Brazilian-born, Los Angeles-based artist Clarissa Tossin's first solo exhibition in the Northeast, features key objects in photography, sculpture, and video from several bodies of work to highlight the dualities between natural and manufactured; two and three-dimensions; co-dependent economies; intention and actuality; and the United States and Brazil.